Residencies

Pépinières Européennes Pour Jeunes Artistes Programme 2009

The National Sculpture Factory is the participating host venue in Ireland of the prestigious Pépinières Européennes pour Jeunes Artistes Programme, that supports and facilitates the cultural exchange of artists of outstanding potential.

The programme offers three international artists the opportunity to undertake a major residency at the National Sculpture Factory, engaging with both local artists and a different culture and community.

The three artists in the 2009 programme were Alana Riley, Katrin Hornek and Oliver Jacobi.

Alana Riley
Alana Riley is a Canadian artist (with Irish Lineage) based in Montreal. Her work is primarily lensed based, Photography and Video, but could be better described as public performances to camera. Riley orchestrates performative interactions with the general public which she records through the use of Photography and video.

 

Oliver Jacobi
Jacobi is a German artist who studied at the Kunsthochschule in Kassel. His work revolves around a physical manipulation of architectural spaces. His use of materials varies greatly form project to project but always manifest themselves in some form of sculptural and architectural intervention: interventions that have a human response and forces interaction from the viewers bodily.

Katrin Hornek
Katrin Hornek is an Austrian artist based in Vienna. She finished her studies at the Academy of Fine Arts in Vienna in 2008. Her practice is not medium specific and it unfolds in a variety of interventionist strategies. Hornek is very interested in microcosms, microeconomic and micro-societal systems. She uses her interest in architecture to focuses her interests on these Microsystems. Using architecture as a human endeavour that creates barriers, borders and structural limits that physical contain our most basic human actions, Hornek creates ways for us to see how we negotiate our natural/constructed environments.

*    *    *    *    *

Over the last number of year's the National Sculpture Factory offered four major residency opportunities for artists working in any medium or practice.

Emerging Irish Artist Professional Development Award

Award for an International or Irish Artist in Mid-Career

Ireland / Australia Exchange Residency

Pépinières Européennes Pour Jeunes Artistes Programme

See also Awards section

News

Ciara Moore- first recipient of the Ireland/Australia Residency Exchange 2007/ 2008
Maddie Leach - Award for an International or Irish Artist in Mid-Career 2007/ 2008
Emma Houlihan - Emerging Irish Artist Professional Development Award 2007/2008

  Ciara Moore – first Artist in Residence for Australia/Ireland Exchange - in Tasmania now
 

  Video artist Ciara Moore, from Howth, Co. Dublin, is the
  winner of the inaugural National Sculpture Factory
  Ireland/Australia Residency Exchange
.

Letter from Tasmania written by Ciara Moore

 

Ciara works primarily in video, sound and text and was selected from a competitive process in 2007. Her residency takes place over three and a half months, having started on 28th January in Tasmania (Hobart) and ending in Sydney (via Melbourne) on 11th May 2008.  This award is valued at €20,000 + and includes travel costs, a stipend, a studio and accommodation (also in Sydney and Melbourne), access to the University of Tasmania School of Art’s facilities and an exhibition at the end of her residency. She will also spend time in Artspace, Sydney, and Monash University, Melbourne, making contacts with cultural practitioners and organisers there. 

Ciara was born in Dublin in 1966 and attended the National College of Art & Design from 1996 to 2000. She was awarded a first class honours degree in painting and was the recipient of the CAP Foundation Award in 2000. In 2002 she was granted an Arts Council of Ireland Commission Award to produce a video artwork for Cork Film Centre. She has also participated in the Pépinières Européennes pour Jeune Artistes, with a three-month residency at the Museum of Contemporary Art in Crete.

Her work is grounded in philosophical, sociological and cultural theory and the location of her residency accommodation and studio within the Hobart School of Art campus, should make for fruitful connections. She hopes to engage with the unique environment in Tasmania and conduct intense research there. 

The NSF will host an Australian artist in Cork when we relaunch our newly refurbished premises in 2010.

This residency is supported by Culture Ireland and the Arts Council of Ireland.

 Ciara Moore – letter from Tasmania

I am now eight weeks into my 15-week residency in Tasmania. The first month was a quiet time of adjustment and solitude; visits to museums, tentative exploration of the city and a lot of reading. It was an interesting transition, like zooming the camera lens in on the subject. My idea of the island where I would spend the next three months altered quite dramatically during that initial period.

My first thoughts were of how our imagined notions of distant places are created and informed by maps, photographs and the Internet. Far off places seem smaller, we get an impression that we can arrive and experience it all. The reality is different.  The shift between a formerly objective view and total emersion in Tasmania alters the perspective and I believe that's what makes foreign residencies such an intense and creative experience for an artist. Tasmania is no longer a dot on the Southern hemisphere. And yet it is - because, as I stand on a hot surface of dried out dusty earth in a landscape of burnt-out eucalypti trees and focus my macro lens on a spider web, that thought is always at the back of my mind. Someday soon this place where I'm standing will once again be 11,000 miles away.

My initial month’s reading provided me with a good background from which to proceed with my work here. The Aborigines lived on this land for 40,000 years before the Europeans arrived two hundred years ago. The impact the European settlers have had on the land and its native population raises huge political and philosophical issues. Tasmania is a fascinating and inspirational location both on a macro level and on a larger universal and philosophical level.

At this half-way stage and after all the research and reading I've done, I feel that I am better informed and can now trust my intuitive and creative responses to the place. I don’t believe that as an artist you can simply dive into a place with pre-conceived notions about what you will do on a residency. In a sense it is a de-programming process, wading in from the shallow end until you find a level where it is possible to see both ends of the pool. I believe I've arrived at that point.  I'm working at ground level now. I've been invited to join and present to a group of artists, environmental scientists, zoologists and others known collectively as the University of Tasmania Society and Animal Study Group who have regular meetings to discuss issues, hold screenings and seminars etc. I am taking a course "Art, Natural Environment and Wilderness" with the artist Martin Walch. The college hold art forums by visiting Australian and international artists every Friday which I attend and, as they stay in the flat next door, I also get to meet them on an informal level which is a great opportunity. At the end of this month I will be going on a 4-day field trip to Maria Island with the Wilderness study unit along with other professional artists and Phd students. I will be in a group show at the Plimsoll Gallery on April 4th with established artists Leigh Hobba, Martin Walch and Daniel Von Sturmer (who represented Australia at the Venice Biennale 2004).

So the pace has picked up and my time here has become even more precious although I imagine that my experience in Tasmania will inspire work for a period well beyond the 15 weeks I spend here.
 
- Ciara Moo
re


Ciara on a field trip to
Maria Island
click on images to enlarge

'Trill'

'Clearing'

Maddie Leach - Award for an International or Irish Artist in Mid-Career 2007/ 2008

Maddie Leach is the winner of the NSF Artist in Mid-Career Award, the only award open to international artists as well as Irish. Maddie is from New Zealand, and works primarily in installation and video. This residency offers two months accommodation, studio space, and a stipend of €2,500. One of the aims of this award is to build a relationship between the NSF and the artist in order to develop a Cork-based commission at a later stage.

Emerging Irish Artist Professional Development Award

Aims:
This award is aimed at emerging artists and is intended to encourage and promote the creative use of National Sculpture Factory workshop space, with an emphasis on the facilities and equipment provided. It is also intended to support artists at a difficult time in their career. The award includes:

Award for an international or Irish artist in mid career

Aims:
This award is aimed at artists in mid career  (practising 10 years or more) and is
intended to encourage and promote the creative use of
National Sculpture Factory  workshop space, with an emphasis on the facilities and equipment provided. The award is also aimed at developing a professional relationship between an artist and the National Sculpture Factory. It offers workshop space, accommodation, IT facilities, administrative support and a stipend for 2 months and:

Emma Houlihan - Emerging Irish Artist Professional Development Award 2007/2008

The winner of the Emerging Irish Artist Professional Development Award is Emma Houlihan. Emma recently graduated with a BA in Sculpture from NCAD Dublin and her work is concerned with urban exploration and spatial dynamics. This residency offers two months studio space, a stipend, NSF membership, free access to all Professional Development and Training workshops and free digital equipment loans. However, in 2007, this residency will also offer a new professional development opportunity via an intense two-week residency with Static, an art and architecture project space and think-tank, based in Liverpool, with which the NSF has commissioned projects in the past.

Pépinières Européennes Pour Jeunes Artistes Programme

The National Sculpture Factory is the participating host venue in Ireland of the prestigious Pépinières Européennes pour Jeunes Artistes Programme, that supports and facilitates the cultural exchange of artists of outstanding potential.

The programme offers up to four international artists the opportunity to undertake a major residency at the National Sculpture Factory, engaging with both local artists and a different culture and community.

2006 Programme

2006 marked the return of the biennial Pépinières Européennes Pour Jeunes Artistes Programme.  The following three emerging artists participated in the programme:

KONIK, Anna (Polish)
CV and Artist's Statement

STERNBERG, Tobias (Swedish / British)
CV and Artist's Statement
www.tobiassternberg.com

CHUNG, Soyoung (France)
CV

www.soyoungchung.com

Their residencies occurred between February and June 2006.

Past artists who have participated in Pépinières in the National Sculpture Factory are:

Catherine Bolduc (Canada)
Vincens Cassasas (Spain)
Soyoung Chung (South Korea)
Eric Degoutte
Caroline Duchatelet
MiIkkel Olaf Eskildsen (Denmark)
Severine Hubert (France) E-mail: hubard_s@yahoo.com
Sybil Kohl
Anna Konik (Poland)
Danielle Kraay (The Netherlands)
Nicos Nicolaou (Greece)
Inka Nieminen (Finland)
Jacqueline Pennell (UK)
Vesa-Pekka Rannikko
Simca Roodenberg (The Netherlands)
Consuelo Rosa Servan (Spain)
Peter Sinclair
Tobias Sternberg (Sweden)
Joao Pedro Vale (Portugal)
E-mail: joaopedrovale@hotmail.com
Stephan Weitzel (France) E-mail: info@stephanweitzel.com / Web: stephanweitzel.com
Dusan Zahoransky (Slovakia)
Pépinières Objectives:

http://www.art4eu.net

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